LinuxAlternative
ArdourLinux vs CubaseWindows

Ardour as a Linux alternative to Cubase

Updated

Our verdict

Ardour is a solid, professional-grade replacement for Cubase if your workflow centers on audio recording, mixing, and standard MIDI sequencing. It handles multi-track sessions, non-destructive editing, and hardware integration well. However, it is not a 1:1 swap for power users who rely heavily on Cubase’s specific VST3 ecosystem or advanced score-based composition tools. For audio engineers and musicians who prefer open-source stability and do not depend on proprietary Cubase-specific features, Ardour covers the core job effectively. It is less suited for composers who need deep notational editing or those locked into specific Windows-only VSTs without a bridge.

Feature parity85%
License
GPL-2.0+
Price
Free
Latest version
9.8.0 (August 19, 2026)
Rating
—
Ardour screenshot
The Editor window where you can arrange audio and MIDI data along a timeline

What works the same

  • Professional multi-track audio and MIDI recording capabilities
  • Non-destructive editing using regions and playlists
  • Comprehensive mixing console with per-channel effects processing
  • Support for standard audio formats like WAV, FLAC, and MP3
  • Integration with external hardware interfaces for recording

What is different

  • Ardour relies on LV2 and VST2 (via bridge) rather than native VST3 support, which may limit some modern plugin compatibility
  • Lacks Cubase’s advanced score-based composition and notation features
  • Different workflow for MIDI editing; Ardour’s piano roll is functional but less feature-rich than Cubase’s
  • Open-source license (GPL-2.0+) versus Cubase’s proprietary commercial model
  • No direct support for Cubase’s specific project file format without conversion

Opening your Cubase files

Ardour cannot directly open or save Cubase (.cpr) project files. You must export audio stems and MIDI data from Cubase in standard formats (WAV/AIFF for audio, MIDI for sequences) and import them into Ardour. This process preserves the audio and MIDI content but loses Cubase-specific automation, plugin settings, and project structure. You will need to rebuild your session in Ardour, reassigning plugins and adjusting routing manually.

Switching from Cubase to Ardour, step by step

  1. Export all audio tracks from Cubase as individual WAV or AIFF files
  2. Export all MIDI data as standard MIDI files (.mid)
  3. Install Ardour and create a new project with the same sample rate and bit depth
  4. Import the audio files into the appropriate tracks in Ardour
  5. Import the MIDI files and map them to the correct virtual instruments
  6. Recreate the mixing chain, adding LV2 or VST2 plugins as needed

Key features of Ardour

  • Multi-track audio and MIDI recording
  • Non-destructive editing with regions and playlists
  • Flexible routing and bussing with up to 192 tracks
  • Support for VST2, LV2, and ReaPlugs via bridge
  • Comprehensive mixing console with per-channel plugins
  • Time-stretching and pitch correction tools
  • Integrated piano roll and MIDI editor
  • Export to multiple formats including WAV, FLAC, and MP3

How to install Ardour on Linux

Flatpak (Flathub)flatpak install flathub org.ardour.Ardour
Ubuntu / Mintsudo apt install ardour
Debiansudo apt install ardour
Fedorasudo dnf install ardour9
Arch / Manjarosudo pacman -S ardour
openSUSEsudo zypper install ardour

Frequently asked questions

Does Ardour support VST3 plugins?

Ardour primarily supports LV2 and VST2 plugins. VST3 support is not native, though some users report success using third-party bridges, but this is not officially guaranteed or stable for all plugins.

Can I use my existing Cubase projects directly in Ardour?

No, you cannot open .cpr files directly. You must export audio and MIDI data from Cubase and import them into Ardour, then rebuild the session.

Is Ardour suitable for film scoring?

Ardour is well-suited for recording and mixing film scores, but it lacks the detailed notation and score-based editing features found in Cubase, which may be a limitation for composers who rely heavily on visual score editing.

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